This is one of two press photos I have of Dorothy Dix (1908–2000), who was a “Hal Roach comedy player.” I know this because blind stamped on this photo is “Hal Roach * Studios Photo *” and typed on the back is the shout:
Penciled on the back of the second photo is “Dorothy Dix, Hal Roach M. S. M. Comedies.” I haven’t been able to discover who or what “M. S. M. Comedies” is, but I am assuming MSM does not stand for M[ust] S[ee] M[ovies]!
Dix’s first appearance in film was in a short, silent western, called A Fighting Tenderfoot, which was released on 29 December 1928. This photo is dated 18 September 1928, a month before the release of Dix’s first film. I said last week that press photos were used to promote new talent and this is a perfect example, where the photos were released to drum up interest in someone new.
Dix appeared in another seventeen films, nine shorts and four without appearing in the credits. So, not exactly the stellar career that Colleen Moore enjoyed, but she did appear in Dante’s Inferno (1935), which is pretty cool. And this photo is pretty cool too. Like last week’s photo of Moore, the props and backdrop are less interesting than the costume and the model. The floor and wall are bare, Dix holds a large JOL in her right hand and a pole(?) with a cardboard cut-out scaredy cat attached to it, in her left (detail below). The pole only appears in this photo, so I can’t tell if this is actually a broomstick, with the brush out of frame.
Like Moore, Dix has a veil draped behind her, but it is billowing out beside her, as it would if she were flying. (Which, of course, makes no sense since she is standing upright and has nothing to fly on …). Dix’s outfit is a lot more daring than Moore’s. Rather than a neck-to-toe dress, Dix is bearing her arms, legs, and her top has a plunging v-shaped neckline with a separate silk collar. Her daring silk shorts are two-coloured, as is her top—like these outfits from 1949.
I am going to go out on a limb here and say that I think the outfit is probably orange and black, though the 1949 outfit worn by Penny Edward and Barbara Bates was coloured red and white when it was printed in V. (See below. The tone of the Dix photos looks closer to orange than white and I am not convinced the colouring of the Edward and Bates photo is original.)